Minnesota mapmaker Travel Graphics International turns 50

by | Oct 4, 2025 | Local | 0 comments

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Stuart Sellars, founder of Travel Graphics International, a map-making company, talks about his career in his Roseville office on Tuesday, Sept. 30, 2025. The company is celebrating its 50th year in business. (John Autey / Pioneer Press)

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Bitten by the travel bug at an early age, Stuart Sellars has spent most of his life helping others with the same affliction get to where they want to go.

Born in England and trained as an engineer, Sellars is the founder and art director of St. Paul-area map-making company Travel Graphics International, which marked 50 years in business this week.

An impressive milestone in any industry, TGI weathered the Internet boom and the rise of GPS mapping with a custom illustrated, 3D map style that emphasizes major thoroughfares and prominent geographic and architectural landmarks.

Popular in the travel and hospitality industries, clients of TGI have ranged from visitors bureaus and chambers of commerce to the Four Seasons Hawaii and United Airlines. With more than 10 million maps distributed, if you’ve ever grabbed a map from a brochure rack, there’s a chance it’s one of theirs.

Founded in 1975 in Minneapolis with about $10,000, TGI wouldn’t reach its height until the mid-1990s when it did nearly $1.5 million in sales and relocated to Roseville as a home-based business. Nearly 30 years later, the business today is still finding ways to remain relevant and keep its maps in travelers’ hands.

Mapping a map: 1970s

A large, colorful map
A map of larger Minnesota cities that Stuart Sellars, founder of Travel Graphics International, has in his Roseville office on Tuesday, Sept. 30, 2025. The company is celebrating its 50th year in business. (John Autey / Pioneer Press)

When the company launched in 1975, it was the first of its kind in many ways, Sellars said.

Without Google Earth or satellite imaging, researching a city in order to document it was a monstrous task.

“I would charter a helicopter and fly over the downtown areas, strapped in and leaning out to take 200 to 300 photographs,” Sellars said. “Then I’d have to drive every street to match the aerial photographs with the buildings.”

Thousands of pieces of reference materials were needed to draw the maps in 1970s and 1980s, including aerial images from the newspaper, blueprints from the planning office, travel books and postcards, Sellars said.

At the time, an average hand-drawn map would cost $70,000 to $80,000 to create, Sellars said, with the lion’s share going to production and roughly $15,000 earmarked for research, including flights, room and board and onsite photographs.

“I tried every other way of doing it less expensively, but I found that you could not get the view that you needed,” he said.

Compiling the research usually took a few weeks, Sellars said, and the artist would then take two to three months to draw the map.

“That research was the key part,” Sellars said. “I think one of the reasons we really didn’t have competition for 20 years was because it was so expensive to produce.”

The little competition TGI did have, “We’d usually end up suing because they would trace our maps,” Sellars said.

Mapping a map: 2020s

Instead of hanging out of the side of a helicopter to snap a reference photo, TGI’s Illustrator Arkady Roytman consults Google Maps, Google Earth, social media and company websites.

Using Adobe InDesign, Illustrator and Photoshop, Roytman painstakingly crafts entire cities, one digital building at a time.

“I make an isometric grid, then I try to capture the essence of the building I am trying to illustrate,” Roytman said. “Using the photos and the reference material, I try to find a good face of the building, something distinct that somebody looking at the map could recognize.”

While the maps are accurate, they are not drawn to scale and certain liberties must be taken, Roytman explained. For example, a building might be rotated so its most recognizable features are apparent to a visitor.



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